‘bra’ and ‘the message’ are two classic funk-soul cuts from the amazing cymande. mastered from original tapes. official mr bongo reissue. cut loud on 7” vinyl with a picture cover sleeve.

zur feier des 15-jährigen jubliäums der veröffentlichung von dannii minogues »neon lights« erscheint das album nun erstmalig auf vinyl! zusätzlich enthält das 2lp package seltene bonustracks und remixe von jason nevins, amighty und tiga sowie die gefeierten mash up remixe »don’t wanna lose this groove« (aus »don’t wanna lose this feeling« und »into the groove« von madonna) und »begin to spin me round« (aus dead or alives »you spin me round« und »i begin to wonder«). also eine empfehlung für alle fans! dannii minogue selbst sagt dazu nur: »please turn the volume up loud enough to annoy your neighbours!« dem doppel-vinyl liegt ein downloadcode bei.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

bikiniarz is the newly launched imprint of german producer sawlin, known for his seminal releases on delsin records and vault series. with this label, sawlin goes back to his musical roots while integrating the various influences that shaped his style ever since he decided to become a musician: subtly indebted to the 90 s while living up to contemporary big room standards. the releases are resolutely out of the box, yet groovy as hell and meant to be played out loud in underground techno clubs.

pennyroyal continues with a slamming ep from zeki, the new alias for a familiar and prolific uk producer. four cuts of ruffian grime / techno hybrids clocking in at 140bpm. built to enjoy or deploy loud at your favourite dance.

ron trent meets skymark! two masterminds at work. the organic meets the electronic - musician meets machine. pressed loud for optimum dj play. summer is happening... big tip! . ron trent takes on the mighty skymark original, and elevates the listener to a whole other place like only he can. trent treats us to one of his deepest, dubbiest jams in recent years - embracing the strength of the song while interweaving his own rhythm throughout. the original track, here on the flip, featured on skymark s 2015 wave from the nucleus lp- a beautiful song from the sun-kissed swiss musician and producer who resided in rio de janeiro for many years, and now in barcelona. a real meeting of minds. both artists express their love for the deep and organic, incorporating brazilian sounds, gospel, disco, jazz and soul in their music. their similaraly detailed approach and ideologies blend perfectly on this 12” release.

the remarkable thing about belp s new album is its two-dimensional function. it works both on a loud and a quiet volume. some tracks would go down well as a club track, like opener travelling thru galaxies . this track brings back memories of the best work released on the hyperdub label, with it s fine combination of synths and irresistible, dubby beats. elsewhere, off ending might start off as dancehall-but-not-quite dancehall track but when half way the synths kick in they change the feeling of the track to a more cerebral level.

kornél kovacs debuts on unknown to the unknown with three original cuts - reportedly named after legendary nightlife spots remembered from the studio barnhus mans years spent as an underage clubber in stockholm, sweden. loud, proud and slightly subversive club music for all the daredevil djs out there.

a perfect summer record, white magic was the lauded cd-only debut album by sorcerer (californian dan judd, one half of windsurf with hatchback). just in time for spring/summer, be with records present the first ever vinyl issue. lovingly remastered by the esteemed simon francis, cut reassuringly loud on to heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer rich robinson, this limited edition of 500 copies is sure to fly.

a continuation of his kaleidoscopic sun-dappled cosmic-disco, neon leon was the much-loved cd-only album by sorcerer (californian dan judd, one half of windsurf with hatchback). just in time for spring/summer, be with records present the first ever vinyl issue. lovingly remastered by the esteemed simon francis, cut reassuringly loud on to heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer rich robinson, this limited edition of 500 copies is sure to fly.

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

oyster 10 double vinyl!

after a lot of questions from fans when we were going to drop enzyme 060, it is finally here. we thought it was time to celebrate one of our most memorable releases with some new influences, but not forgetting about the original one. as it’s been well over a decade since its initial release and the overwhelming impact it has had on many of our loyal fans. it was time to do something special. we present you the (very!) limited picture disc edition of ophidian & ruffneck’s “so many sacrifices”, including two remixes by rapture and neox. the original track has been carefully remastered to fit today’s standards, so you can play it loud again in your sets.

the frankonia ep is the result of the collaboration between nils weimann and martin glowacz, which started many years ago. side a serves two different, powerful tracks. frankonia comes with warm atmospheres and spaces. driven by the interaction of bass and synth lines, wrapped in some subtile delayed textures. lower has a rollin bass structure, combined with smashing vocals and surrounded by resonating marbles. side b belongs paul agripa’s interpretation of frankonia. he’s also known as a part of ragrip and comoji. the remix takes you on a 13 minutes trip, carried by a harmonic baseline, extended spaces and melodies. play it loud! early support by cezar, sedee, vlad arapasu.

the ny house trak brought joy to dance floors world wide in 2012 and beyond. with second hand copies now fetching for 40 euros and over, we thought it was time to serve you with a limited re-issue of both this club track and can you feel it? remastered and vocals on the a-side slightly adjusted this time round too! the ny house trak is cut on one side so you know what this means: extra loud pressing for ultimate sound quality. side b contains a previously unreleased instrumental!

jah mel sees himself as a musical bridge between the original reggae sound & the dancehall sound of today, representing what he calls the real dancehall revolution, merging the spirituality of the old school & the energy of the new school. “guiding star” and “stand up to it” are the perfect examples to overstand this definition. both song were produced by roydale anderson aka andy s. “guding star” will definitely give you thrills if you are into deep synth and heavy digital rhythm, while the superb piano notes will warm you in the analog style. beware of “guiding star” dub version called “guidance (dance mix)” that will break any bunker. “stand up to it” rhythm is an adaptation of one of the most classic jamaican riddim called “heavenless”. you will never know this riddim like before, this version takes the riddim to another level. a positive song with a bionic nuclear bomb dubwise! play it loud, jah is our guiding star!

the unstoppable most excellent unlimited charges ahead with the ninth in the heralded mr. k 45s edits series, with this latest edition the most intriguing to date. deep in danny krivit s voluminous collection is a 7-inch acetate rescued from the records left behind by master mixer and dj walter gibbons when he passed away in 1994. the mysterious plate, simply labeled -1, 2, 3,- was custom cut by gibbons for his personal use in the early 70s when he and a partner operated a service called melting pot sounds that provided one-off copies of otherwise unobtainable imports for nyc disc jocks. most of the 20-odd known releases on melting pot sounds have been identified, but the true provenance of -1, 2, 3- has remained elusive. the tune is a screaming, instrumental disco delight, with aggressive clavinet riffing broken up periodically by raunchy sax. for this most excellent unlimited issue, mr. k meticulously transferred his unique gibbons acetate and further intensified the already propulsive track with a few choice edits of his own. not to be outdone, the flip side focuses on a ferocious percussion break that has previously only been available on a very poor quality 12-inch single. -sweet summer suite- by love unlimited orchestra has long been noted for its intro, a concoction of conga, cowbell, cuica and cabasa that drives dancers wild with its relentless, intense groove underpinned by a booming bass slide. making its 7-inch debut here, the groove has been extended and teased as only a master could do, complimenting the a-side and creating a powerful dj weapon. as always, this most excellent unlimited single has been mastered and pressed to the highest standards with loud dj usage in mind, and will be available in extremely limited quantities

the next yoshitoshi classic is here and it s a heavy one - dino lenny s -i feel stereo.- anyone on the scene in 2001, when this monster tune was originally released, remembers its pulsing rhythms and ear-catching vocal hook. seventeen years later, -i feel stereo- is back with three remixes from some of the finest artists around. steve lawler (working here as lawler) has crafted a badass, bassline-driven house track that pummels with all the energy of the original. steve continues his reign as as key innovator in dance music, modernizing this classic with unquestionable finesse. the red axes boys deliver their silky smooth brand of minimal house with a variety of distorted arpeggio riffs, futuristic chimes, and other left-field sounds that make their remix truly unique. it s another ace production from the israeli duo. last but certainly not least, up-and-comer frankyeffe, who delivered the goods on his collaborative splitting minds ep with loco & jam last fall, serves up some impeccably produced techno for big, loud rooms. the italian phenom s mix is absolute savagery. of course, it wouldn t be a yoshi classic pack without a remastered original mix.

big tunes by mac gregor.., nan ye li kan is a sought after and well known bomb.. a welcome release that brings the two nicest tunes from the lp to 12 format for that loud dj play. . originally from martinique, clem marise voltine aka mac gregor moved to abidjan in 1979 searching for, what she called, her “negritude quest”. she sang about her love for her adoptive city until her death in april 2004 at chu of abidjan, trechville hospital.

gab rhome is back on all day i dream with, believe it or not, his very first solo release. we first encountered our bowtie wearing friend via his collaboration with maher daniel way back in the label s catalogue. he dropped by again last summer as one of the tracks on our annual summer sampler release with venus. it rocked the beatport deep house chart for months. continuing in that vein we find two wonky fun summery house tunes with rolling grooves, tinkling pianos, glassy sounds and memorable melodies which is fun to say by the way go on, say it. say it out loud right now on your plane journey, in the coffee shop, hotel room or in bed with your cat words and music to make you smile

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

special 4x12 inch pack containing four classic releases:
- sutilmix019: anton neumark & agent smith - loud (sutilmix)
- urbana027: david penn - feel the rise (urbana)
- solar-022: joe t. vanelli - prelude (solar)
- drmx06: mtu - funky versus (dubplate breaks)

hart & tief turns 3. as the most fascinating yet tremendous of creatures, h&t relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with whats next. everlasting artists dave dk & stimming are the chosen ones to break through the clouds and reach the dimension beyond what’s predictable. soulphiction, mike dehnert, robag wruhme and dj koze delivered the first 2 releases, showing what not to expect from the hart & tief state of beat: comforting sounds for predictable minds. let’s turn it upside down: deep emotional trips for like-minded clubbers and artists. non-conformist dancefloors and exacting passionate crowds. hamburg-based, stimming and dave dk have built their experience through uncountable tracks and performances. turning the lights off and playing it loud is what they are best known for. on this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: frankfurt main and saida222. stimming has built in a sneaky percussion with an enormous engaging touch. buoyed up by a textured bass, frankfurt main reaches the center of what an in-depth track aims to be. saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by dave dk in his previous and acclaimed works. both tracks are pushing a refreshing and windy vision that, far beyond from being just obscure, gets us closer to a wise enlightening experience.

feat. the og mix & cajmere, johnny fiasco remixes
-introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson, on this release joined by long term resident tristan da cunha on selection duties. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design - jamie reid. the artwork spans across 4 records, which collected together will make the compete picture. basic vision 003 heavily features the birthplace of house, chicago, with a selection of rare cuts that always move the dance-floor. the highly sought after og freak mix of cassio ware - i wanna see you dance rocks the spot on the a side. this is the original black house version and not the remixes or re-edits that can be found. mark grant and cajmere only made one record together as the chicago connection and it was a true bomb. mint copies go for l75 but cajmere s remix is included here and cut loud from the original master recording.

a pair of naughty as you like sample heavy house music rumblers. rapture inducing grooves for the more discerning floor. these gents have had some big label releases, but the names have been changed to protect the innocent. get involved. vinyl only slab. hand stamped 45rpm loud cut for club play.

lillygood party! is a label focused on licencing tracks that alex and stephane play for years at their parties. the aim is to re-edit and revisit those jams from soul to house , jazz to afro, boogie to techno and make us and people enjoy and smile on the dancefloor because those tunes are really really good both tracks here are classics dancefloors tunes, nothing rare, just favourite tunes that alex and stéphane play in their sets. on the a side the onwards international version is longer than the original and the arrangement quiet different for more intense dancefloor action. here they both worked on the edit to find the right balance and the right sound in order to revisit the uk classic jazz funk number, a firm favourite here lillygood! the b side is an amazing disco modern soul gospel track from elbernita twinkie clark already reissued some time ago but the cherry on the cake is that you have here a 12inch version extended and a new mastering for extra loud play this version is slightly different than the original, alex extended parts: the beginning with drum intro looped for mixing and changed the end to make it longer keeping the original flavour. please enjoy as much as we do because we love those edits, we love those tunes, we love music we are very happy to share with you these limited vinyls releases

dimensions recordings fifth release sees the label step into the world of the long player with istanbul native, kerem akdag s self-titled debut album. kerem has already been winning fans of the ilk of gilles peterson through his previous output of dusty house and tripped out beats in the last few years, and of course via his getdownsoclose offering on dimensions debut release. his debut album however, sees kerem deliver a mature piece of work, bright and timeless, equally effective in the club as it is at home and brimming with ideas, hooks and must have songs. across eight tracks kerem demonstrates a breadth of skills that most artists would work a lifetime to achieve. from the stepping beats of when i think of you to his subtle vocal layers on isolated and from the woozy beach vibes of sultan to the squelching, rasping synths of unite it s clear that there s very little that s outside of kerem s arsenal. the album rounds out fittingly with drums please, which perfectly displays kerem s jazz tendencies, a slow grooving track whose crescendo of stabs and drums create a song that s more powerful than its parts. kerem akdag s debut album clearly sets out the stall for a man who has a lot to say and has the capability to say it loud!listen up! pressed on clear vinyl with a metallic sticker insert.

introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson, on this release joined by long term resident tristan da cunha on selection duties. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design - jamie reid. the artwork spans across 4 records, which collected together will make the compete picture

time for a cheeky, under the radar one from new delusions signing flight mode. one track either side for extra-loud full-fatness. two variations on a theme, taking us on a deep, dubby, disco tip. a crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. global communications getting stoned with dj pierre on the a side. carl craig and moroder hanging out in the kitchen of the after party on the flip side. play loud, live long and prosper!

ltd to 300 copies - joe lewandowski is another treasure discovered by the rising label deep & roll. the a side reminds us some 90s house diamonds: where is contains mesmerizing gospel vocals calling for love. powa has a more groovy vibe with patterns that bring us back to chicago. the b side opens with i need to, a track recorded with jazz singer lili b. it shows a more melancholic and deep side of the parisian dj. the last track lourd explores the other influences of joe lewandowski with an italo-disco and leftfield techno feeling. pirates gonna play it loud!

five dazzling remixes of population one s classic hippnotic culture lp by the detroit minimalist himself. kicking off with a 20th anniversary mix of rush hour, the track that inspired our company name! big big tip and a great honor.play it loud!objekt: these are wonderful. no surprise though- population one, also known as terrence dixon, offered a first remix of his mysterious, minimal detroit track rush hour for the celebration of the label s 10th anniversary and now blesses us with new takes on five hippnotic culture album tracks. the impressive hippnotic culture lp was originally released in 1995 on the long defunct utensil label, which was run by claude young.

introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design jamie reid. basic vision 001 features one of the greatest ever house music records lil louis & the worlds i called you (the story continues), still a firm favourite of ricardo villalobos. the flip side boasts perhaps the most rare cut, first championed by dj harvey and still highly sought after today, m-i-cara s casa beat. while mike perras all time classic keep movin completes the ep.

cut super loud to wax, for those needing touchstone points of reference, we d liken elements to the work of everyone from jean-claude risset, jam city, lorenzo senni, optical and gesloten cirkel. yet, the deeper in you go, the more that contraposition reveals itself to be one of the most original and devastating 12inchs you are gonna come across this decade or next.

reeepressss - new sub label from natural sciences...
kickin off our new off-shot dolphin traxx , d. futers takes the rains with a pounding two tracker of aqueous goo, molecular body deposits and corrosive laser stains, pressed up loud + harddd. cyber-hounds might recognise the first track i care - a pitched up vocal garage house jam bootlegged on your bros samsung razorblade and running piano keys hoisted in the back of the multi-changer. on the flip, never givin up is for the jungle heads, bringing back the oscillating machine gun funk of the warehouse, crashing between broken beat euphorics and shimmering pads.

cpu dj tools vol.1 808 tracks cpu s homage to the roland tr-808, the drum machine ubiquitous on binary imprint. cpu label boss chris smith has meticulously rebuilt the drum tracks of classic electro funk records known for their pioneering and influential use of the 808. strictly for djs and mcs, this is an essential tool for remixing, looping or laying vocals over. cut loud and ready for battle.

a pair of naughty as you like sample heavy tribal house music rumblers. rapture inducing grooves for the more discerning floor. these gents have had some big label releases, but the names have been changed to protect the innocent. get involved. vinyl only slab. hand stamped 45rpm loud cut for club play.

super rhythm trax boss jerome hill is back on the label with 3 otherworldly tracks cut loud for maximum dancefloor devastation. beginning with the wistful acid pump of back & forth moving through to the alien jacking of weird language and leaving you wide eyed in the grip of close encounters.

so, after a little break we’re back with a new release. this time we’re joined by the multi-talented production powerhouse that is swarm intelligence (aka simon hayes). landing heavy with four bruising techno cuts that each find their own unique way of taking your head off, ear017 is a bumpy journey through darker club flavours. ‘flatlands’ opens things up, reminiscent of the type of marching, granite-heavy brum techno of old – this is minimal in construction but maximum in its impact. move forward to ‘ground up’ where demonic, dissonant keys take the lead above a rattling midrange that sounds like a corrugated roof ready to fly off. opting for cleaner, elastic drum patterns on ‘tingla’, hayes swaps tense for dense, with a loud take on steppy techno, that’ll please fans of some of blawan’s earlier work. ‘skitz’ starts out an a more dub tip with a wailing, paranoia inducing hook and snaking rhythms, eventually joined by more hard-hitting broken kicks, leading us comfortably into oblivion.

the industry of dance music can be as soul-crushing as any other. those thrills and spills of late, loud nights come with a best-before expiry date, after which even the most seasoned selector-producer-scenemaker begins to wrinkle their nose. to have experienced it all over 15+ years and seek to see it unfold again through fresh eyes, what sort of lunatic would willingly put themselves through that? v would. so its a new character, but who was the mysterious v in a past life? make your own conclusions. a little digging will lead you toward the origin story, but sometimes the pleasure comes from the unknowing. opt to enjoy the silence. silence, however, is not the focal point for v. in fact, this new form is a way to discard baggage and revitalise the process of music making.

the 7 year anniversary of dame-music continues! following the well-acclaimed various artists ep earlier this year, which included tracks from boo williams, the analogue cops and milton bradley vs bloody mary, dame-music is back and proud to present its 36th release, this time inviting two very special guests to share the record with label boss bloody mary. the melting point ep marks the fusion of three renowned producers including kink, thomas p. heckmann and bloody mary. it s no secret that these three are acid lovers, and their combination on this release shows three different takes on the acid sound. both kink and thomas p. heckmann need no introduction. bloody mary has followed their music for many years and the melting point ep marks the coming together of mary with two of her most respected acid producers, all on the one record. dame-music promises all three tracks will damage the dancefloor each in their own way, just be sure to play them loud. over the past 7 years, dame-music has shaped its identity by continuously releasing a distinct blend of techno and house music. 2018 shows no signs of slowing down, stay tuned!

mindtrip is glad to introduce dold, a huge young talent from the swedish techno scene. known for his first releases on float records and his platform arsenik, ‘shutdown ep showcases a big range of his musical identity. dold takes us into a hypnotic journey with his melodic interpretations, while he moves things faster on the darkest side of this ep, with his driven techno tracks fully inspired by 909 patterns and analog synth jams. we are really happy to welcome such a young and furious spirit on the label, and we do believe his tunes work best if you play them out loud. this is mindtrip!

xxx004 is a compilation that will take you on a trip full of emotions. we carefully selected nine different tracks by nine different artists released on two different vinyls, suitable for all type of situations. part one is dancefloor ready with four tracks produced by artists from all over europe. the cover is designed by artofsomething, a well known artist in amsterdam nightlife. his artwork fits perfectly with the infinite nature of this release. watch the dance floor while playing them out loud.

modularz returns again with another, various artists this release this time on the more driving side of the techno spectrum keeping things raw for those warehouse or late club nights this ep is packed with sonic power. play loud and often tip

after the world applauded sascha funke for his latest album lotos land, he gave away some tunes to friends for remix duties. düsseldorf based tolouse low trax formed twirl into a foggy dark mpc-seducer for romantic nighthawks that love dancing. also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of im feiern und feuer is a slow whirlwind, perfect to start and end a great dj night. with tuff city kids a duo formed a remix that is good for big room love affairs. their version of purple hill is a heartfelt melange between trance and house deepness that works on any dance floor. the final edit comes from glasgows junto club, who transformed comola, a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper. four versions, four hits, four atmospheric dimensions beyond words. tune it loud!

the third artist album on omena is here, for the dreamers by saine. an effortless blend of crisp beat-work and delicate textures, the album feels equally suited for playing out loud or for those hazy summer night headphone marathons. album artwork by rickard ljungdahl eklund label artwork by ivo kiusalaas (bildansvarig) mastering by andreas saag

younger rebinds is a new project and imaginary band by the inimitable and unstoppable benny rodrigues. maybe best-known for his rod moniker and releases on klockworks, rodrigues embodies and keeps the candour, spirit and curiosity that made techno music stand out in its start-up years - and that s exactly what we have here. the -retro 7 ep- makes the most of the classic 707 drum machine, gnarly synths, ambient soundscapes, pianos and organs. done in a way that is as much new wave, as it is electronic disco. spread out over a double-pack with eight tracks (8!, get it?), the younger rebinds hit the sweet spot between vintage dj hell aesthetics, sterac electronics and trevor jackson s metal dance dogma, if its choir would be muted. loud pressing and hypnotic artwork included. please don t look at it for more than 5 minutes.

after a string of solo eps modularz returns with a wave of various artists releases pushing established and emerging producers laying down strong tracks made for the warehouse or the club. these releases are really getting the pick of the litter when it comes to techno. play these loud and often. tip

the baseballs werden 10! und es gibt reichlich grund zu feiern, denn sam, digger und basti blicken auf eine erfolgsgeschichte zurück, die ihresgleichen sucht.
das 180 gramm doppel-vinyl erscheint im klappcover, downloadcode inklusive.